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      <image:title>News - Kundalini</image:title>
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      <image:title>News - Vinyasa</image:title>
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      <image:title>News - Introducing Adeola Baldessari</image:title>
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    <loc>https://www.kristinesnodgrass.com/american-apparell</loc>
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    <lastmod>2021-02-28</lastmod>
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      <image:title>American Apparell</image:title>
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    <loc>https://www.kristinesnodgrass.com/rank</loc>
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    <lastmod>2021-10-06</lastmod>
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      <image:title>Rank - Make it stand out</image:title>
      <image:caption>JackLeg Press 2021 Rank on Amazon</image:caption>
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    <loc>https://www.kristinesnodgrass.com/godlessness</loc>
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    <lastmod>2023-07-17</lastmod>
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      <image:title>Godlessness - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Godlessness - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>https://www.kristinesnodgrass.com/waave-global-gallery</loc>
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    <lastmod>2021-11-10</lastmod>
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      <image:title>WAAVe Global Gallery - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>https://www.kristinesnodgrass.com/visual-poetry</loc>
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    <lastmod>2023-07-19</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5325b491e4b0aec88e8c3ed2/537bf973-33a7-4f78-bf76-a6ae8b51038d/kristine-snodgrass-vvg-bookletind.jpg</image:loc>
      <image:title>Visual Poetry - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5325b491e4b0aec88e8c3ed2/1689781325157-WS1P0NLEXNUEJ9OONHS4/54687%2B%281%29%2B%281%29.jpeg</image:loc>
      <image:title>Visual Poetry</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5325b491e4b0aec88e8c3ed2/1689781325226-E2GQQM7YLUT5QMAFALHR/54690%2B%281%29.jpeg</image:loc>
      <image:title>Visual Poetry</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5325b491e4b0aec88e8c3ed2/1689781326085-8BGTMYT9HYCICYGYCDA6/image3A40514_Glitch6.jpg</image:loc>
      <image:title>Visual Poetry</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5325b491e4b0aec88e8c3ed2/1689781326938-DG5B8ZX1MJNZO7JN0OT1/IMG_20220530_233525_804-1.jpg</image:loc>
      <image:title>Visual Poetry</image:title>
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    <image:image>
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      <image:title>Visual Poetry</image:title>
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    <loc>https://www.kristinesnodgrass.com/index-1</loc>
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    <lastmod>2026-03-21</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5325b491e4b0aec88e8c3ed2/236ff7bb-9b88-4891-9dac-db3f9552d042/hatherly.jpg</image:loc>
      <image:title>INDEX - Make it stand out</image:title>
      <image:caption>O Escritor, Curated by Kristine Snodgrass</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5325b491e4b0aec88e8c3ed2/292fff2c-d029-44ae-88f7-5ae5b46de1d0/rumors.jpg</image:loc>
      <image:title>INDEX - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5325b491e4b0aec88e8c3ed2/67df839c-d559-40b1-aad5-f90a2a32d68e/image3A38758_Glitch6.jpg</image:loc>
      <image:title>INDEX - Gallery Shows</image:title>
      <image:caption>Stamp Art Gallery September 22, 2024 Opening Knoxville, Tennessee GRAPHOS: International Exhibit of Asemic Writing November 1-18, 2023 Buenos Aires, Argentina ICON: glitches Van Vliet Gallery Online January-March 2023 Cloud 9 w artist Niki Nolan Blink Contemporary Gallery Michigan City, IN 12.7.12-3.7.13</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5325b491e4b0aec88e8c3ed2/9f7cbb76-4139-42b3-b17e-e9960bc4bdca/image3A42724_Glitch3.jpg</image:loc>
      <image:title>INDEX - Solo Books</image:title>
      <image:caption>Retrospect (Van Vliet Gallery, 2026) Choirbird (Sigilist Press, 2025) Gradients (Post Asemic Press, 2023) ICON (Van Vliet Gallery, 2023) Robot, Girl (JackLeg Press, 2022) Rank (JackLeg Press, 2021) American Apparell (Alien Buddha Press, 2020) Out of the World (Hysterical Books, 2016)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5325b491e4b0aec88e8c3ed2/ee640d06-0e20-4062-bd91-334cac111814/image3A42488_Glitch.jpg</image:loc>
      <image:title>INDEX - Chapbooks</image:title>
      <image:caption>SOLO: Rather, (Contagion Press, 2020) These Burning Fields (Hysterical Books, 2019) Fledgling Starlet (Grey Book Press, 2009) Ho in a Dream (Matricide Editions, 2009) Put the Pie Away Quietly and Without Fervor (Cy Gist Press, 2012) COLLABORATIVE: Szrengrass with Piotr Szreniawski (Poland 2024) Hot Body Contest by Kristine Snodgrass &amp; Scott Sweeney (Grey Book Press, 2012) Zero-Zero w Maureen Seaton (Hysterical Books, 2020) Facial Geometry by Neil de la Flor, Maureen Seaton &amp; Kristine Snodgrass (NeoPepper Press, 2006)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5325b491e4b0aec88e8c3ed2/365600f1-7216-4dd8-8f15-7651d253bf8a/image3A39314_Glitch10.jpg</image:loc>
      <image:title>INDEX - Reviews and Interviews</image:title>
      <image:caption>Glitches and Public Authority: A Building of Spaces”: an interview with Kristine Snodgrass number 9 of the Scientific Journal of the Jan Zamoyski College of Humanities and Economics in Zamość, Poland Review of Neon Galax by Terri Witek Interview by Amanda Earl on Small Machine Talks Andrew Brenza reviews RANK Jim Leftwich praise for American Apparell Interview by Michael Sikkemma on periodicities De Villo Sloan reviews American Apparell Poetry Mini Interviews The New Post Literate-RATHER Who's Coming Along--A Testimonio   The Diagram: Facial Geometry Guernica Magazine: A Review of facial geometry Apalachee Review #64 Snodgrass review of The Small Blades Hurt by Erica Dawson</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5325b491e4b0aec88e8c3ed2/1079a342-17e9-40ba-aade-cb7c095869f6/image3A40820_Glitch13.jpg</image:loc>
      <image:title>INDEX - Books in Collaboration</image:title>
      <image:caption>Methyl Violet with Jay Snodgrass (Hysterical Books, 2026) Colors of the Grittiest God with Karla Van Vliet (Hysterical Books, 2024) LATTICE with Jay Snodgrass (Hysterical Books, 2024) Nodes with Brian Hall (Alien Buddha Press, 2023) Neon Galax with Andrew Brenza (Unsolicted Press, 2022) Whistle with De Villo Sloan Asemic Front Series, 2020) Two Thieves &amp; a Liar: Poems in Collaboration with Neil de Flor and Maureen Seaston (JackLeg Press, 2012)</image:caption>
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      <image:title>INDEX - Online</image:title>
      <image:caption>Diaphonous Micro (Diaphonous Press) Sonic Boom Brave New Word Otoliths Asemic Front 2 Voices de la Luna Slow Forward UTSANGA: Asemic poems The 2River View: Two Poems Shampoo: PI (again) Big Bridge: Two Poems Spork Press: Then Orpheus, List Delirious Hem</image:caption>
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      <image:title>INDEX - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5325b491e4b0aec88e8c3ed2/46b7ae24-53be-4479-884b-857473b33398/glitchyback.jpg</image:loc>
      <image:title>INDEX - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5325b491e4b0aec88e8c3ed2/16586710-6f4f-4eb8-b473-6df868426860/waave.jpg</image:loc>
      <image:title>INDEX - Make it stand out</image:title>
      <image:caption>WAAVE Global Gallery, Managing Editor, Kristine Snodgrass</image:caption>
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    <loc>https://www.kristinesnodgrass.com/intermedia</loc>
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    <lastmod>2026-03-21</lastmod>
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      <image:title>INTERMEDIA - CHOIRBIRD</image:title>
      <image:caption>From Sigilist Press: A poem of terrible beauty lies nested in a series of vibrantly colored glitches in this new collection by the legendary Kristine Snodgrass.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5325b491e4b0aec88e8c3ed2/a590bcc9-1153-4b79-9b28-5d3db1505201/retrocover.jpg</image:loc>
      <image:title>INTERMEDIA - Make it stand out</image:title>
      <image:caption>RETROSPECT</image:caption>
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      <image:title>INTERMEDIA - Make it stand out</image:title>
      <image:caption>Colors of the Grittiest God (Hysterical Books)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5325b491e4b0aec88e8c3ed2/ce8ecee9-ef94-4f98-824f-9ce11799b16c/Untitled+%281%29.png</image:loc>
      <image:title>INTERMEDIA - Gradients</image:title>
      <image:caption>from Post Asemic Press! “Snodgrass’s Gradients is a haunting series of visual poems, examining the relationships between images and ideologies, particularly the misogynistic currents in American commercial discourse and its depictions of femininity. Asemic poems, written or tattooed directly onto the poet’s body, are photographed and then transformed by the poet through glitching. The resulting “Gradients” allow perversely fascinating visions of societal structures that emerge from obliterations of the female form. The reader is at once reminded of the ideological implications of any image, so often and so easily overlooked and accepted, as well as the role of the viewer in creating the real world affects of these implications. It is an astonishing book!” —Andrew Brenza</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5325b491e4b0aec88e8c3ed2/537bf973-33a7-4f78-bf76-a6ae8b51038d/kristine-snodgrass-vvg-bookletind.jpg</image:loc>
      <image:title>INTERMEDIA - ICON</image:title>
      <image:caption>Artist Statement: My ICON series of glitched self-portraits works to dismantle the image-makers and fame-generators created by social media modalities. The nature of an icon resides in some form that is played to consciousness. There are questions there. What the building of this phenomenon is--a rendering. My work in this series dives into false propositions and re-examines, like in some of my other glitch-work, the constructive placements and their destruction. Working with phone apps, my glitches tend to be an erotic experience with digital essences. The movement of my flesh on the screen and the anticipation of what will come of it. There is eroticism in all my work--but ICON maintains the erotic interface between reader and creator--even after the seeming destruction. A liveliness, even if in the shadows, persists. For me, glitching is dismantling and creating. How those exist together is the mystery, the art moment. —Kristine Snodgrass</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5325b491e4b0aec88e8c3ed2/b912efad-1d38-40a8-bed3-e89340a7ff70/methyl.jpg</image:loc>
      <image:title>INTERMEDIA - Make it stand out</image:title>
      <image:caption>Methyl Violet (Hysterical Books)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5325b491e4b0aec88e8c3ed2/c65bd0ec-b1ee-4143-93c7-bd22523785e9/71XvrHNEH0L._AC_UY436_QL65_.jpg</image:loc>
      <image:title>INTERMEDIA - Neon Galax</image:title>
      <image:caption>Glitched collabs from Andrew Brenza and Kristine Snodgrass find a neon outlet in the merging of vispo and digital alteration. This striking book features color-saturated work that enlivens the structural bombast inherent in Brenza and Snodgrass's stark visual poetry. What is glitched is not superceded nor muted, rather transformed in a true collaborative spirit. "NEON GALAX is a very beautiful book, but don't expect all sweetness and light when you enter its world. There are jagged edges everywhere you look. Everything is broken. Kristine Snodgrass &amp; Andrew Brenza have given us a book we might be forced to reckon with by using the term post-asemic." —Jim Leftwich, Afterword</image:caption>
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      <image:title>INTERMEDIA - RANK</image:title>
      <image:caption>There are faults in human systems. Glitches if you like. They may be slips in relationships, errors in decisions, miscalculations, or just plain rank and file disturbances that swing us on uncontrolled zip lines through emotional jungles without a machete. Places, faces, and text are flattened into technologically veiled images. Emotions are flat-lined, yet glaring color makes us all too aware of the impossibility of remaining in a no-mans-land of unfeeling. Kristine exposes her insides - on the outside, and the mediation by machine cannot hide an inner turmoil or a heart that longs to escape the confines of imposed passions. Words used in the art of digitally produced images are terms such as expose, bleed, resolution, tracing, crop, perspective, layer – all these expressions apply to the artist behind these melded images and text, who re-presents in a circuitous format some of the greatest questions of all – is THIS what it feels like to be human? Will today always feel like THIS? Stretched, duplicated, misunderstood, colored in, erased out, redefined. Overexposed, double exposure, repeat. Just Exposed. Cropped, glaring, and re-framed, Kristine tells us in intimate terms that the inner journeys she traverses are universal yet personal, all unique yet belonging to a common collective. We were, never so different after all - you, and you and I. —Cheryl Penn</image:caption>
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      <image:title>INTERMEDIA - American Apparell</image:title>
      <image:caption>American Apparell is a collection that demands numerous revisits. Each portrait feels like a creed, a collective of fists already held up high. This pulsating kaleidoscopic visual representation of modern feminism revitalizes female independence and identity, challenging the reader not to accept archaic ideas churned out by society but instead to consent to the total disintegration of conformity. Beauty blooms in the wake of necessary destruction. —Johann Van Der Walt</image:caption>
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    <loc>https://www.kristinesnodgrass.com/bio</loc>
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    <lastmod>2026-03-21</lastmod>
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      <image:title>BIO - Kristine Snodgrass</image:title>
      <image:caption>Kristine Snodgrass is a professor, editor, and interdisciplinary artist whose creative work spans poetry and intermedia. She has collaborated with dozens of artists, writers, and musicians worldwide. Her visual work has been showcased globally. She is the author of more than twenty books and chapbooks, including GRADIENTS, from Post Asemic Press. Snodgrass is also the founder of Women Asemic Artists and Visual Poets, a global network connecting women in the visual and experimental poetry fields and amplifying their work across platforms. Kristine facilitates workshops that explore the transformative and healing nature of writing and visual poetics.</image:caption>
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  <url>
    <loc>https://www.kristinesnodgrass.com/poetry-1</loc>
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    <priority>0.75</priority>
    <lastmod>2026-03-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5325b491e4b0aec88e8c3ed2/1628286304258-0TM5R6FTT05WN6YGD0MB/ranks.jpg</image:loc>
      <image:title>POETRY - Rank</image:title>
      <image:caption>There is a journey between the source image and the target image in the glitch. From the surface to the bottom. From what is rationally structured to what is its original code. In Rank, Kristine Snodgrass places side-by-side visual works and poetic writings that share the same root: a subversive intention with respect to the abused and crystallized languages of everyday communication and power, in search of what is subterranean, corporeal, germinal. "Syllables of mortal flesh," she writes. A gesture - in images and words - almost physical and performative, which demystifies the apparent and reveals the substantial. An act, which becomes aesthetic, of deconstruction and re-creation through the "error" caused in the image file on the one hand and in the structure of the written text on the other. The result, on the visual side, is different works in which the signification is entrusted to the constituent elements of color (phosphorescent and iridescent or transparent with suggestions of watercolor, inked and scratched or pasty, intensely sampled in the drafting of blacks and blues or fiery red), of the line (vertical, horizontal, or intertwined), of the sign (thick as erasures or minute as germinations, with words or syllables as resistance to slipping), of the composition (orthogonal, or specular, geometrically full-bodied or extremely fragmented). On the writing side, the "error," consisting of the vital and magmatic automatism of the flow of consciousness, deconstructs the language of rational communication, producing texts in which the different levels of experience collide, provoking sparks meaning, flashes, and illuminations. On both sides, closely connected, the heuristic encounter between author and user in search of a possible lost communication takes place. The error, the glitch (with what it implies of chance and chaos), the imperfection, forcefully brings back the uncontrolled complexity of life into the artificial simplification of the constituted order, that singular unrepeatable uniqueness capable of producing its own "native sound": "The ensuing light is a spirit departed from blood." -Cinzia Farina</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5325b491e4b0aec88e8c3ed2/e0c74840-2d3c-49f5-a3b3-c6ffd4c4e552/51vUc6DAvGL._SX404_BO1%2C204%2C203%2C200_.jpg</image:loc>
      <image:title>POETRY - Robot, Girl</image:title>
      <image:caption>Kristine Snodgrass's first full-length solo poetry collection reads like a feminist thriller (third-wave, of course) or a terrifying sci-fi glimpse of our American future (or present!), complete with lady robots, stellar journeys, irrational fling-flang, and language yanked so alarmingly it fractals into repetitive codes, cyphers, and brash exclamation points. It's both nightmare and portal. Girl and girl noir. It's quirky, entertaining, obsessive, and scanning for trouble: one poet's vision you're too stunned to look away from. -Maureen Seaton</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5325b491e4b0aec88e8c3ed2/1591468822676-WAIJHGYL5OULBKJVS86F/Out+of+the+World+Cover+2020+5.1.jpg</image:loc>
      <image:title>POETRY - Out of the World</image:title>
      <image:caption>What makes "Out of the World" extraordinary is Snodgrass' relentless pursuit of play in the theater of her own fantastically absurd universe. Fierce and fluorescent, her poetry pierces as it lures and lulls the reader into bliss. It doesn't wobble or stagnate. Doesn't wait to be heard. When you open this book, sit with a plate of dinner rolls. Be thankful for the Appalachian foothills and dogs in space. For the wrens and language that is full of bones. —Neil de la Flor Author of Almost Dorothy</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5325b491e4b0aec88e8c3ed2/14c89bd1-1edb-4cfa-ad84-b3e91ac289cf/61TrD%2Bhc2uL._SL1360_.jpg</image:loc>
      <image:title>POETRY - Two Thieves &amp; a Liar</image:title>
      <image:caption>Storming the genders of Americanismo with crossed fingers and sans rules, these poems contradict the text by adding values and filling out applications. Two voices and three voices are threaded to one and the resulting operatic tool digs up the shades of birds, mathematics, riots, and catastrophe. Experience a disturbing disintegration of authorial identity. Experience that identity reshape and reassemble as an intelligent chimera that stares you in the face with as many faces as you can imagine. — Natalija Grgorinic &amp; Ognjen Raden When I interviewed these three authors about how they "did" it, that is to say, collaborate, it wasn't like I received three sets of answers. Group mind groped, it was like talking to the tank. — Terese Svoboda Cover art: Pamela Callahan, “West Nile Kid.” (Courtesy of the artist and Woman Made Gallery, Chicago</image:caption>
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    <loc>https://www.kristinesnodgrass.com/contact-om</loc>
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    <lastmod>2023-08-24</lastmod>
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  <url>
    <loc>https://www.kristinesnodgrass.com/events</loc>
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    <lastmod>2026-03-21</lastmod>
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      <image:title>Events - Calendar</image:title>
      <image:caption>contact Kristine</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5325b491e4b0aec88e8c3ed2/3e11054e-81f9-4a0c-8d0f-246665f3fc11/image3A104734_Glitch3.jpg</image:loc>
      <image:title>Events - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5325b491e4b0aec88e8c3ed2/bbd2f1f9-b9cc-48b5-8217-5e1cbbb9dd82/nola.jpg</image:loc>
      <image:title>Events</image:title>
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  <url>
    <loc>https://www.kristinesnodgrass.com/classes-om</loc>
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    <lastmod>2025-04-22</lastmod>
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  <url>
    <loc>https://www.kristinesnodgrass.com/read-me-om</loc>
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    <lastmod>2025-04-22</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5052176b84aeb45fa5cfcc83/1377097104716-HDI53XJVV0DKZ24A3T68/51e453dee4b06abd3403c22e.png</image:loc>
      <image:title>Read Me</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5052176b84aeb45fa5cfcc83/1377096775448-0L7B4Q54H1VLOGFF1DPR/synthetica+%2820130821%29.jpg</image:loc>
      <image:title>Read Me</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5052176b84aeb45fa5cfcc83/1377096507573-1MU42OOOOGIM9URAJ9D9/515c4225e4b0afec1218b21e.png</image:loc>
      <image:title>Read Me</image:title>
    </image:image>
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  <url>
    <loc>https://www.kristinesnodgrass.com/about-om</loc>
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    <lastmod>2025-04-22</lastmod>
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      <image:title>About</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.kristinesnodgrass.com/classes-alt-om</loc>
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